7" 1982 Alameda CA (G/NM-, sleeve has extremely worn edges and torn off area at bottom-left of front picture, but vinyl is in great shape, good punk record, band later changed name to Rebels & Infidels and re-released the record with a new sleeve)
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Please email me at trade@CollectorScum.com to work out a deal. The Fine Print: I grade using a modified Goldmine Standard, so you will never see anything here graded excellent. If no grade is listed, please ask. Records are black vinyl unless noted otherwise. Trades are preferred, but I'm sometimes open to selling -- please inquire with an offer. |
| Recent Additions |
Added 11/7/2012
Added 8/10/2012
Added 5/14/2012
Added 4/30/2012
Added 2/14/2012
7" 1982 Alameda CA (G/NM-, sleeve has extremely worn edges and torn off area at bottom-left of front picture, but vinyl is in great shape, good punk record, band later changed name to Rebels & Infidels and re-released the record with a new sleeve)
Added 1/5/2012
Added 11/5/2011
Added 9/26/2011
Added 7/29/2011
Added 6/20/2011
Added 5/23/2011
Added 4/29/2011
Added 3/14/2011
| Highlights / Featured Trades |
7" 1979 Chicago IL (NM vinyl, sleeveless like most copies, but I will include a color xerox of the very rare insert-style picture sleeve, Howard Peluso HP380, Epicycle backing performace artist, A-side is good artpunk)
7" 1983 FL (NM-/NM red label first press with NM insert, Destroy 002, features Hated Youth, Morbid Opera, Rat Cafeteria, Roach Motel, Sector 4)
| 70s-80s KBD/Punk/Hardcore/DIY/Wave/Power Pop |
(beautiful NM condition, this is the original 1979 release poster/flyer for the Avengers 4-song 12" EP on White Noise records. It is flyer-sized (8.5 by 11 inches) and is offset printed on off-white paper. It is NOT a xerox or silkscreen. The main graphic is the same one used for the cover of the record. There is a White Noise Records logo at bottom-right. The text at top says: "Despite subversive foreign influences, at long last, Avengers / 4 classics by San Francisco's legendary Avengers with original tracks produced by Steve Jones / Available in discerning outlets or by mail. Send $4 to White Noise, Dept. N, 1934-1/2 N Rodney, LA, CA 90027", The Avengers EP was a pressing of 10,000 (yes, that's ten thousand) and as a result it turns up quite often. This poster is far harder to find)
7" 1981 Louisville KY (VG+/NM-)
7" 1975 New York NY (vinyl is NM-, this version had no picture sleeve, no label name, matrix is DMO-100, demos, this is the version with red labels, BLEP 1 / BLEP 2 catalog numbers, and no picture sleeve)
7" 1980 UK (Epic 07-5P-127, NM-/NM, Japanese press with insert style picture sleeve and original Epic/Sony Japan innersleeve)
7" 1982 UK (VG+/NM-, price sticker tear on front cover, includes insert, Xntrix XN 2007, original press)
7" 1984 Boston MA (Nibelung NR 692, NM/NM, moody new wave, recorded 1983, Chuck's old catalog says "really good chunky gtrpoprock & Sgtpeppering that got ignored because of their awful band name (and previous band's reputations)")
7" 1982 Closter NJ (VG+/VG+, Mansong DP1482)
7" 1981 USA? (Formula 820211, vinyl is NM, never in picture sleeve, probably Boston MA area, arty, I've seen A-side compared to Mission of Burma, but not really a fair comparison)
7" 1985 Cleveland OH (VG+/VG+, labels are bubbling, Black Pearle MPPA 7107)
(The Label TLR008 7", VG+/NM, but the quality of the pressing is poor, probably due to the red vinyl used, 1978 UK, features Cook and Jones from the Sex Pistols plus Glen Matlock and Ben Brieley pre-Nazis Again Facism)
7" 1983 Pittsburgh PA (VG+/VG+, vinyl approaching NM-, Steel City Surf Shop G3-501, jangley powerpop with organ, post-Hornets, band's 2nd and last single, better than I recall the 1st one being, which was on Public Records -- home of the Five, Dress Up as Natives, etc)
7" 1978 Boston MA (Ace of Hearts AHS1, first release for the label best known for Mission of Burma, first press with no AOH logo on back of sleeve, picture might not accurately reflect condition of item)
LP 1981 USA (VG+ blue vinyl, in plain white 12" sleeve as issued, New England Digital NED 1, description stolen from popsike: "Ultra rare private pressing demo record on clear blue vinyl, an artifact of electronic music history that was originally given out to prospective buyers of this classic synth (which went for over $200k fully loaded). It contains a montage of brief melodies and wild sound effects showing off the amazing capabilities of this system that combined sampled and FM-synthesized sounds and was designed by legendary electronic composer Jon Appleton at Dartmouth College. The music and programming on this disc is credited to Denny Jaeger and Bill Keenan. The Sync II synth has been used in both avant garde and pop settings, featuring prominently in the recordings of Frank Zappa, Pat Metheny, Michael Jackson, Laurie Anderson, Mike Thorne, Daniel Miller, Depeche Mode, Siouxsie & The Banshees, Soft Cell, Marc Almond, Bronski Beat, ABBA, Genesis, Chick Corea, George Duke, Sting, Tomita, and Stevie Wonder.")
7" 1983 Upper Montclair NJ (NM/NM, Stardust SR8301, This has to be my favorite oddball, not-quite-punk record from New Jersey in the '76-'83 era. In the Volume 3 Discography, I said "Bizarre record with somewhat funky intrumental backing is saved by the punky vocals of seven different singers. B-side turns up the funk. Cover photo rivals NYC's Ducky Boys for dumbest/coolest looking band." Everyone I play it for at least gets a kick out of it (especially if they get the NJ-centric lyrics). Some even love it. Co-engineered by Gray Russell who is best known for his work on the Tom Petty "Damn the Torpedoes" LP (!) You need to own this.)
7" 1983 Boston MA (VG/VG+, sleeve has wear at top opening, with insert and printed letter from their manager Joe Coffman who was the manager of Mission of Burma, Limborations OTL-8301, 2nd single from this band who won the WBCN Rock 'n Roll Rumble in 1982)
7" 1983 New York NY (VG+/NM-, Shadow DM 1111/1112, rockabilly revival, first record from Don Morrell, who is still recording music today)
(Polydor LP, white label promo)
7" 1984 Hampton VA (VG+/NM-, obscure US mod revival)
7" 1979 Kent OH (Hearthan HR108, vinyl is NM-, doesn't have the stamped sleeve that came with some copies, Pere Ubu's label, art-skronk)
7" 1981 Newark DE (Bull Dog BD 1400, NM/NM, neo-rockabilly)
12" 1982 New York NY (Boozer BZR-001, generally new wave, but final track "Well After Dark" is punky)
7" 1977 UK (VG+/NM, New Bristol NBR 01, labels say 33 rpm, but actually spins at 45, in an old catalog Hyped to Death compiler Chuck Warner calls it "good thuggy skifflepunk")
7" 1977 UK (VG+/VG+, sleeve has 1.5 inch seam split at the top, B-side vinyl shows minimal haziness but plays NM, Zoom ZUM 2, in an old catalog Hyped to Death compiler Chuck Warner said: "great '77 gruff-vocals thugpunk raves from Midge Ure pre-Rich Kids, also Billy McIsaac pre-Zones")
7" 1982 New York NY (Faulty Products FP05, VG+/VG+, Joey Ramone's little brother's band, rarer second single, as the label went bust soon after its release)
7" 1980 Minneapolis MN (VG-/NM-, a couple small torn areas on sleeve, but otherwise solid -- see scan, Delphic DEL 3834, 4 song EP)
(DJM Records DJS 10814, 1977, NM/NM, early UK punk, red cover)
(VG+, one full crease across the bottom-middle and some tiny tears along the edges that would frame out nicely, any lighter areas in the picture are a result of the flash, it appears better in person, original 11 X 17 inch concert poster for three NYC dates in 1978, features a large black and white picture of the band)
(BYO 005 LP, VG/VG, lyric insert, blue lettering - 2nd press?)
7" 1981 Los Angeles CA (NM-/NM, Posh Boy PBS 8, Lita Ford guitar on B-side)
7" 1983 Los Angeles CA (XES Records DST 001, NM-/NM, powerpop/wave with Geza X producing and contributing guitars, bass, drums, and background vocals, same label as the Silver Chalice LP and Germs "Rock And Rule" LP)
7" 1981 New York NY (VG+/VG+, sleeve has 1" seam split on one side, Mouse Trap ADR 0682, powerpop)
7" 1983 Boston MA (Three Hands TH-001, NM/NM-, in an old catalog Chuck Warner of Hyped 2 Death called it "good Neats-influenced Propeller-scene gtr art")
(Positive Force 7 LP, cover is VG due to radio station call letters in black ballpoint on black part of cover, light sticker residue, cut corner, and additional light wear, vinyl visually grades G+ but plays VG or better, radio station call letters on label, produced by Ian MacKaye)
7" 1981 Boston MA (Eat Records EATS 8, NM-/NM, guitar-wave, his 3rd/last single)
(Y-Tel YA-101, 1984, NM/NM, Kansas City, Missouri band's first record, distributed by the great Fresh Sounds label, this band was on the Sub Pop #7 cassette, includes many promo inserts: 2 page band bio, small insert signed by Fresh Sounds director Bill Rich, and a Fresh Sounds catalog)
| Newer Punk/Garage/Indie/Etc. |
(Plan 9 CD, not exactly "hardcore", 1992 solo album of synth-classical music, original press with different cover art)
(SubPop/Sony CD, Japanese import, booklet has band info in Japanese and lyrics in both Japanese and English, missing OBI?, photo shows tray card, cover looks like U.S. version)
(Conflict CON002 7", VG++/VG++, 1984 release on Gerard Coley's pre-Matador label)
(Sympathy SFTRI-179 7", original press, picture disc in clear plastic sleeve)
7" 1982 Madison WI (VG+/VG-, Jane Bear S-6911/6912, no keyboards)
(CI Records CI-5.5 one-sided 7", vinyl is VG+, test pressing without sleeve, "36613" written in ballpoint pen on label, 1993, the regular version of this was a swirled wax tour-only release limited to 300 copies, according to the label there are probably about 10 like this in existence)
(Amphetamine Reptile SCALE 8 7", NM-/NM, hand-numbered 738 of 800, early AmRep release, pre-Gas Huffer, pre-Crows)
(Amphetamine Reptile SCALE 16 2x7", NM/NM/NM, one disc on yellow vinyl, 1000 pressed, 1989 comp. with Lonely Moans, Helios Creed, Tar, God Bullies)
(Amphetamine Reptile SCALE 18 7", NM/NM, 1000 pressed, 1989 comp. with Surgery, Cows, Tad, King Snake Roost)
| Datapanik and Related |
(Super8 006 7", 1000 pressed)
| Heavy Metal / Hard Rock |
| Other Genres |
LP 1968 USA (VG/VG+, sleeve would be VG+ but has a 2-3" split at top-right so I'm downgrading it, vinyl plays beautifully, small "P" sticker of unknown origin on A-side label, Takoma C-1020, 1975 pressing with the 2nd black and gold dragon labels as pictured here)
LP 1966 UK (VG+/VG+, vinyl has scuffing on both sides which has minimal effect on the sound, there are gold-colored Odeon stickers over the original His Master's Voice label name on both sides of the cover and both labels, His Master's Voice/Odeon CLP 3531, sound effects type children's record with great cover art, from Discogs: "Desmond Briscoe was the director of the BBC Radiophonic workshop. His electronic examples on this record are much more funny and interesting than Daphne Oram's 'Electronic Sound Patterns'!")
LP 1978 Manchester MA (VG+/VG+, Sail 0103, soft sounds singer/songwriter)
LP 1978 USA (VG/VG+, cover downgraded for water-damage, mostly confined to the bottom-right, Mahogany M 1001, disco/boogie/funk)
LP 1976 Dominican Republic / New York NY (still sealed NM-/[NM], old price sticker on shrink, Karen KLP-28, one of at least two self-titled LPs on this label, Merengue/Salsa/Guaguanco?)
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